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dc.contributor.authorSyeda, Fatima-
dc.contributor.authorAkhtar, Dr. Rizwan-
dc.date.accessioned2021-04-26T05:32:32Z-
dc.date.available2021-04-26T05:32:32Z-
dc.date.issued2020-12-
dc.identifier.citationJournal of Research in Humanities Volume 56-2 (2020) PP. 129-138en_US
dc.identifier.otherhttp://pu.edu.pk/images/journal/english/PDF/09_56-2_Dec_20.pdf-
dc.identifier.urihttp://localhost:8080/xmlui/handle/123456789/1265-
dc.descriptionhttp://pu.edu.pk/images/journal/english/PDF/09_56-2_Dec_20.pdfen_US
dc.description.abstractIn Post- Colonial Studies, the relationship between the colonizer and the colonized is beset by confusions produced as a result of a shared and yet a fractious history of contentious multiplicity. The ambivalent subject-position of the colonized subject is often ignored by the colonizers. Consequently, the colonial discourse circulates an ambivalently stereotypical image of the colonized subject. In the colonial Indian sub-continent, a similar irresolvable complexity features the nature of the relationship between the British and the Indians. Instead of reading Ambivalence as an after effect of colonial enterprise, the paper intends to establish that Ambivalence is present in the Indian Sub continent by default. It is rather one of the defining features of Indian culture. The indecisiveness, fluid identity, dual and amoebic nature of these people is read in this paper through an analysis of Twilight in Delhi by Ahmed Alien_US
dc.language.isoenen_US
dc.publisherJournal of research in humanitiesen_US
dc.relation.ispartofseriesJournal of Research in Humanities Volume 56-2 (2020) PP. 129-138;-
dc.subjectculturalen_US
dc.subjectimperativeen_US
dc.subjecttwilighten_US
dc.titleAmbivalence as a Cultural Imperative in Twilight in Delhi by Ahmed Alien_US
dc.typeArticleen_US
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